Here is a recap of facebook group information for one or more courses you're a part of. Disclaimer. This recap by no means replaces the information in the Facebook Groups. Always refer to them for the most current and accurate information. We do our best to relay what we think is the most important details, but it's very possible for us to overlook something or make a typo in the process. This is just to be used as a quick reference and outline. Enjoy!
Huge thanks to Jan Seides and Mark Jarasek for their help in summarizing these courses.
Here is a recap of facebook group information for one or more courses you're a part of. Disclaimer. This recap by no means replaces the information in the Facebook Groups. Always refer to them for the most current and accurate information. We do our best to relay what we think is the most important details, but it's very possible for us to overlook something or make a typo in the process. This is just to be used as a quick reference and outline. Enjoy!
Huge thanks to Jan Seides and Mark Jarasek for their help in summarizing these courses.
Today I want to let you guys know about a sync placement I just got with Sephora for their March ad campaign coming soon. I cowrote this track and produced and mastered it, all from my bedroom studio.
That means you could too.
The song "Gimme More" from the Karnival EP I released 10/30/18 can be found HERE. It should be out sometime in March. I'll let you know when it does.
Stop thinking that you have to always have a producer. Learn to BE the producer. I did. So can you.
I want you in the Triple Threat Producer Course because I know you'll grow and get so much closer to achieving your goals. Let me help you.
For the next two weeks I am offering the Triple Threat Bundle (The Producer Course, the community access, and two bonuses) for $49/m.
Use coupon code WINTER49
I can't to see you in the class.
Click HERE, and let's get started.
Zion
Here is a recap of facebook group information for one or more courses you're a part of. Disclaimer. This recap by no means replaces the information in the Facebook Groups. Always refer to them for the most current and accurate information. We do our best to relay what we think is the most important details, but it's very possible for us to overlook something or make a typo in the process. This is just to be used as a quick reference and outline. Enjoy!
Huge thanks to Jan Seides for her help in summarizing the Access Course.
In a lot of home studios I've been in, an area that's most often forgotten about is right above the recording desk.
It doesn't seem like this would be that big of a deal, but it really is. A flat ceiling right above your speakers is like having a giant mirror slapping the sound back into your ears, and can sometimes be worse than the wall reflections.
In this video I show you what I'm talking about, as well as show you an alternative to putting acoustic treatment in your home or office that doesn't leave any marks when you're done.
Here is the set of acoustic treatment I use: https://www.sweetwater.com/store/detail/RoomDSTAlBur--auralex-alpha-dst-roominators-kit-charcoal-burgundy
Enjoy!
Zion
Here is a recap of facebook group information for one or more courses you're a part of. Disclaimer. This recap by no means replaces the information in the Facebook Groups. Always refer to them for the most current and accurate information. We do our best to relay what we think is the most important details, but it's very possible for us to overlook something or make a typo in the process. This is just to be used as a quick reference and outline. Enjoy!
Huge thanks to Jan Seides for her help in summarizing the Access Course.
Most people would say that you can't use Virtual Instruments, particularly strings, in place of real instruments.
I disagree.
The reason most people are turned off by this is because the producer playing the VI isn't very good.
First, you have to understand how the instrument is supposed be played. This may take a little training and education at first.
Then you need to have a really great VI that gives you options to adjust articulations of that instrument.
Next, you'll need to take the time to really make a part shine by finessing with the subtleties and articulations that make that instrument sound real.
And lastly, blending it into the mix with the right reverbs and staging is a must.
In the first couple tutorials I show you using some of the songs I have uploaded on my Soundcloud page: https://soundcloud.com/zionbrock
In the last song, I did the strings for a version of Anita Exira's track here: https://anitaexira.bandcamp.com/track/the-tides-and-kindred-phenomena
Enjoy!
Zion
Here is a recap of facebook group information for one or more courses you're a part of. Disclaimer. This recap by no means replaces the information in the Facebook Groups. Always refer to them for the most current and accurate information. We do our best to relay what we think is the most important details, but it's very possible for us to overlook something or make a typo in the process. This is just to be used as a quick reference and outline. Enjoy!
Huge thanks to Jan Seides for her help in summarizing the Access Course.
Here is a recap of facebook group information for one or more courses you're a part of. Disclaimer. This recap by no means replaces the information in the Facebook Groups. Always refer to them for the most current and accurate information. We do our best to relay what we think is the most important details, but it's very possible for us to overlook something or make a typo in the process. This is just to be used as a quick reference and outline. Enjoy!
Huge thanks to Jan Seides for her help in summarizing the Access Course.
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